Title credits (Diana) (36)

• The title credits will be incorporated into moving images and will actively move with the actions happening in the images. Although this will take a lot of editing, it helps the audience notice and engage more with the title aspect of the sequence. It is also useful as it makes the title sequence seamless and put together. 

• There will also be a lot of overcraking and undercraking involved, which means the titles will have to be edited to the same pace of the moving images. This is effective as it will help the audience focus on specific shots and therefore specific title credits, which may be more important than others. An example of this is seen in the 'Taking of Pelham 123' title sequence where some scenes were in fast-motion and then slow-motion for focus, taking the titles with them. 

• The font of the text will be kept a simple typography as we want the main focus to be on the moving images  and the colour will be white as this will contrast the darkness of the scenes and therefore allow a more noticeable appearance of the credit titles.

• Also we have decided to put the main actors name before the director. This is because we are assuming that he is a household name, who will bring a wider range of audience. Not only fans of psychological thrillers but also fans of the actor who may not necessarily enjoy thrillers, but would watch one if their favourite actor was in one. An example of this is in the 'Black Swan' where the name of Natalie Portman comes before the name of the director as she is a starring actress and therefore bringing recognition to the film, making a 'Natalie Portman film'. 

• The actual name of the film will appear after most of the other credits are given, in big letters and right in the middle. This is because this will help establish it's significance and stick in the minds of the audience.